Dein erstes Forum » Audemars Piguet replica watches

Audemars Piguet Launches New Royal Oak Double Balance Skeleton Watches

Audemars Piguet launches three new Royal Oak Double Balance Skeletal frame watches, all 41 mm in space, showcasing a variety of materials as well as aesthetics. Available in stainless steel, african american ceramic and 18K gold, these exquisite watches spotlight the complexity of the 3132 automatic movement. This metal framework construction not only highlights the particular exquisite skills of Audemars Piguet's artisans, but also gives a new pink gold firmness to both watches, building a rich play of light. These kind of latest creations perfectly merge technical precision and regular craftsmanship to bring unparalleled style and refinement to the wrists.



The Royal Oak Double Balance Metal framework collection now includes several new 41 mm models, each one crafted in a different content. The stainless steel, black hard and 18-karat yellow gold conditions and bracelets feature typically the collection's signature polished and also satin-finished finishes. This style and design highlights the geometric luxury of the Royal Oak.



The skeletonized movements and inner bezel in the steel and black fine ceramic models feature a new green gold hue that contributes warmth and liveliness even though highlighting the craftsmanship involving its components. The pinkish gold screws on the viser complement this hue to manufacture a harmonious aesthetic. 18K white gold or platinum hour markers and arms ensure readability on the metallic model, while the ceramic type features blackened rhodium hr markers and hands. The inside bezel features a black just a few seconds indication and the “Audemars Piguet” logo. It is worth jotting that the black ceramic type is limited edition and is paper on the titanium and blue caseback.



Compared, the 18K yellow gold unit combines luxurious yellow gold along with a dark grey skeletonized activity. The matching inner board features a white seconds degree and the “Audemars Piguet” brand, which completes the two-tone design. The gold time markers and luminescent hands and fingers ensure optimal visibility during low light conditions.



These new models usually are powered by Calibre 3132, an automatic movement with a two times balance mechanism. This complex innovation launched by Audemars Piguet in 2016 helps the watch's precision along with stability. The double sense of balance wheel and hairspring, constructed on the same axis, oscillate with perfect harmony. Visible by both sides of the case, the increase balance wheel offers a peek into the beating heart on the watch. The skeletonized links reveal the components of the accessory train, which are cut employing advanced technologies such as CNC machining and then polished personally to achieve the desired shape. Often the polished V-angles reflect often the exquisite craftsmanship that can be achieved by hand.



The skeletonized oscillating pounds matches the case color of the actual steel and gold types, or harmonizes with the lilac gold movement of the black color ceramic models, completing the particular contrasting beauty of these products.



Openwork, a new specialty of Audemars Piguet since the 1930s, involves the removal of as much material as possible from mainplate and bridges to leave light shine through, disclosing the beauty and complexity with the mechanism without compromising operation. This art requires incredible watchmaking skills and a large knowledge of materials and a finish techniques.



In the 1970s, a group of young Audemars Piguet watchmakers, inspired by all their predecessors, revived the art of skeletonization. Under the visionary leadership connected with then-director Georges Golay, many people undertook the ambitious undertaking of creating 100 skeletonized Categoría 2120 movements. The first mobility was unveiled in 1973, with more to follow in the adhering to years. By the 1980s, typically the workshop employed a dozen designers dedicated to this craft.



Initially, the Royal Oak's movements were disguised . inside the case. However , often the advent of quartz technology advised the industry to emphasize the beauty of technical movements. In 1981, skeletonization first appeared in the Royal Oak as a pendant, and an ultra-thin perpetual diary model in 1986. In the nineteen nineties, skeletonization truly became the main Royal Oak collection, having numerous models showcasing that delicate art.



Today, the Royal Oak collection includes more than 50 skeleton models, each sending years of passion and skills. These new 41 mm designs breathe new life in this meticulous art in addition to combine it with a current aesthetic.